Released by Radar Records in March 1979, the Pop Group's debut single, "She Is Beyond Good and Evil" was an exhilarating splurge of disco bass, slashing punk-funk rhythm guitar, and deranged dub effects, with singer Mark Stewart caterwauling lines like "our only defense is together as an army/I'll hold you like a gun".
Lyrically, says Stewart, the song was "a very young attempt to mix up poetic, existentialist stuff with political yearnings. The idea of unconditional love as a revolutionary force - the way it kind of switches on a light, makes you hope for a better world, gives you this idealism and energy".
The Pop Group - She Is Beyond Good and Evil 1979
To record "Beyong Good and Evil", the Pop Group hooked up with Dennis Bovell, who at that point was the only British reggae producer brilliant enough to bear any comparison with the Jamaican greats like Lee Perry and King Tubby. Bovell's musical scope stretched way beyond reggae, though. He'd played lead guitar in a Hendrix-influenced band called Stonehenge and believed that Jimi had created the first dub track ever in 1967 with "Third Stone from the Sun".
Jimi Hendrix - Third Stone from the Sun 1967
For "3:38", the B-side to "Beyond Good and Evil", he took the A-side's music and ran it backward, psychedelic-style, then built a new rhythm track for it with Bruce Smith (Pop Group's drummer). "We'd almost run out of studio time, that's why I reused the A-side", says Bovell.
The Pop Group - 3:38 1979
Working on their debut album Y, Bovell quickly grasped that the rhythm section held the whole band together. "Simon Underwood and Bruce Smith, they were the Sly and Robbie of the postpunk period, tight", says Bovell. "The thing that was not together about the Pop Group was Gareth Sager's and John Waddington's guitars and Mark's singing, which would be drifting all across the frame".
Pop Group songs like "We Are Time" blazed with a rage to live. "Not wanting to just be alive", says Stewart, "but to rid yourself of all constrictions. We had this romantic idea of going through nihilism, this intense deconditioning process, and emerging on the other side with something really positive".
The Pop Group - We Are Time 1979
Fire figured in the Pop Group's imagination as an ideal state of being, evoking inner-city riots, pagan rituals, the 1960s free jazz of Archie Shepp's Fire Music. One of the band's best songs, "Thief of Fire", used the Prometheus myth to talk about the quest for "prohibited knowledge, going into unknown areas".
The Pop Group -Thief of Fire 1979
Although the sheer funk force of Underwood and Smith makes the up-tempo songs like "We are Time" physically compelling, elsewhere Y veers into texture-saturated abstraction with sound paintings like "Savage Sea" and "Don't Sell Your Dreams".
The Pop Group - Savage Sea 1979
The Pop Group - Don't Sell Your Dreams 1979
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