End of a revival: Madness and Dexys Midnight Runners during the '80s

A sense of place, always present in Madness's music (the cover of Absolutely, their second album, showed them outside Chalk Farm tube station) gradually intensified, climaxing with 1982's The Rise and Fall.

Here Madness shouldered past the 'new Kinks' tag and lunged for 'new Beatles' status. The front cover of the gatefold sleeve was a Magical Mystery Tour-like tableau of the band atop Parliament Hill and garbed in semi-surreal attire. 

Inside, "Our House" (another massive hit) was Madness's "Penny Lane", bittersweet nostalgia for the familiar surroundings of childhood.

Madness - Our House 1982

On "Primrose Hill" - Madness's "Strawberry Fields" - they even hired prog arranged David Bedford to write brass-band orchestration.

Madness - Primrose Hill 1982

Kevin Rowland's new 'new soul vision' was heralded in March 1982 with "The Celtic Soul Brothers", which replaced the old Dexys horn fanfares with the jaunty jangle of mandolins and boisterous folksy violins (supplied by the Emerald Express Fiddlers).

Dexys Midnight Runners - The Celtic Soul Brothers 1982

The follow-up "Come on Eileen" was a massive number 1 in the summer of 1982 - in Britain, America and around the world. Accompanied by an unexpectedly playful video, "Eileen" was an honest-to-goodness love song. Rowland archly admitted to having impure thoughts: 'You in that dress/My thoughts I confess/Verge on dirty'.

Dexys Midnight Runners - Come On Eileen 1982

Another massive hit, a cover of Van Morrison's "Jackie Wilson Said", acknowledged the heavy debts the new Dexys owed to the latter's 'Caledonian Soul' sound of Irish folk-infused R&B.

Dexys Midnight Runners - Jackie Wilson Said (I'm in Heaven When You Smile) 1982

Rowland's response to fame was the calculated career-suicide move of 1985's Don't Stand Me Down, which featured no singles, just eleven-minute songs including bizarre comic dialogues like "This Is What She's Like", rants against the English upper classes and meta-soul exercises like "The Occasional Flicker".

Dexys Midnight Runners - This Is What She's Like 1985


Dexys Midnight Runners - The Occasional Flicker 1985

On the front cover, Dexys made a final confounding image shift: they appeared wearing ties, pin-stripe suits and neatly combed hair, looking for all the world like investment bankers in a photo for a corporate prospectus. 'So clean and simple; it's a much more adult approach now', said Rowland, rationalizing what in some senses was mod logic taken to the extreme: dressing like the ruling class.

2-Tone signposted its sources and reference points with countless remakes, tribute songs and interpolations (like the 'no gimme no more pickneys' vocal lick from Lloyd Charmers' "Birth Control", borrowed on The Special's "Too Much Too Young").

Lloyd Charmers - Birth Control 1969


The Specials - Too Much Too Young 1980

Even the 2-Tone logo - a black-and-white figure representing the imaginary rude boy Walt Jabsco - was modelled on a photo of the young Peter Tosh from The Wailers.

Searching for the Young Soul Rebels: Dexys Midnight Runners

Searching for the Young Soul Rebels, Dexys Midnight Runners debut album, starts with the sound of a radio dial being turned, someone scouring the airwaves for the next working-class-saviour band. There's a burst of the Pistols' "Holidays in the Sun" and a blare of The Specials' "Rat Race" before frontman Kevin Rowland blurts, 'For God's sake, burn it down!' and Dexys launch into their first song.

Dexys Midnight Runners -  Burn It Down 1980

"Geno", Dexys first number 1 single, was pure meta-pop: a homage to sixties mod hero Geno Washington. Rowland's older brother had taken him to see Washington when he was only eleven. Rowland reminisces about the inspirational force of this first gig of his life, comparing Washington to the mod's pills of choice: 'That man was my bombers, my Dexys, my high'.

Dexys Midnight Runners - Geno 1980

The follow-up single, "There, There My Dear" went even further into the land of meta-pop: it's a vitriolic riposte to a sceptic (seemingly a real person, and most likely either a trend-hopping music journalist or a pretentious musician) who had the temerity not to 'welcome the new soul vision'. "There, There" also contains the classic class-war couplet, 'The only way to change things/Is to shoot men who arrange things'.

Dexys Midnight Runners - There, There My Dear 1980

"I Couldn't Help It If I Tried" recounts Rowland's attempt to organize a strike only to be let down by his workmates.

Dexys Midnight Runners - I Couldn't Help It If I Tried 1980

"Dance Stance" savaged people who tell jokes about stupid Irishmen but don't know about Oscar Wilde, Samuel Beckett, Brendan Behan and the rest.

Dexys Midnight Runners - Dance Stance 1979

The cover of Searching showed a photo of a Belfast Catholic boy carrying his belongings after being driven from his neighbourhood during the sectarian clearances of 1969. Half-Irish, Rowland explained, 'I wanted a picture of unrest. It could have been from anywhere but I was secretly glad that it was from Ireland'.